Wednesday, December 1, 2021

Ducati CEO clarifies MotoE direction and future electric models

Ducati took the motorcycle racing world by storm when CEO Claudio Domenicali announced that the brand would become the sole MotoE manufacturer from 2023 to 2026. Before the press conference, Ducati stayed on the fence, wavering between synthetic fuels and electronics for the company’s future. Domenicali has drawn a clear line in the sand with the MotoE announcement, but also made it clear that Ducati has a lot to clarify before the 2023 season.

During the conference, the Ducati CEO dampened all rumors of upcoming electric production models, stating that Ducatisti shouldn’t expect a street-legal bike until 2025-2030 (or possibly later). Domenicali also highlighted the brand’s focus on lightweight construction, efficiency and battery composition. However, many Ducati and racing fans still had questions after the event, and Ducati’s top man answered some in one of his recent interviews.

“The drivetrain is developed in the R&D center of the street bike department because we don’t just want to develop a racing bike,” Domenicali told Cycle World, “but the entire aerodynamics and chassis are handled by the racing department under the supervision of. develops Gigi Dall’Igna (Ducati MotoGP team manager). The test on the track is carried out by the racing department. “

Ducati’s MotoGP team has been synonymous with technology and aerodynamics for the past few years. From its holeshot device to the massive winglets of the Desmosedici GP21, the gadgets and bodywork of the Bologna team are the envy of the MotoGP paddock. While the radical tech helps put Ducati at the forefront of the group, it knows the road calls for more subtle applications, as do their production electric models.

“We want to build a racing bike and develop the technology further. That doesn’t mean that we will necessarily make a replica of the racing bike, ”says Domenicali. “For example, we could do a naked. The aim is to develop technology and know-how. “

As Ducati dives headlong into the MotoE racing series, it knows that current electric vehicle technology poses challenges to the weight, range and price of a motorcycle. In addition, factors such as infrastructure are not in the brand’s hands and push the prospects of a roadworthy electric Ducati further into the future.

“We’re used to finding a gas station on every corner; The same should be possible for charging electric vehicles, ”concluded Domenicali. “There is still a lot to do in southern Europe, for example. In addition to a diffuse network, fast charging is another important point. “

Alex Rins assumed that he had lost third place in the MotoGP classification

In the battle for second place in the overall standings, the Suzuki rider reached the final just four points behind Petronas SRT’s Franco Morbidelli.

But Rins ended up in third place when Morbidelli took second place overall on the podium. Rins was one of four riders who opted for the asymmetrical hard rear tire, while the rest chose the harder symmetrical option and quickly found a grip on the left side of the rubber fading.

“I am very happy with the way the championship went after the ups and downs at the beginning of the year,” said Rins. “It was a shame not to have the opportunity to fight for the constructors’ title and second place [in the riders’ table], in the last race because he didn’t choose the rear tire well. In the beginning I was fine, but after a few laps I couldn’t drive in the left-hand corners.

“Because of the way the race went, I didn’t even think about finishing third in the World Championship. When I saw that I was losing position and that pole [Espargaro] was ahead, I thought I was going to be fourth or fifth.

“So after the race went, it was great news to finish third when I got to the pits.”

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Rins, who won a Grand Prix as one of nine drivers in 2020, rates his season 8.5 out of 10 and says the bad times he experienced earlier in the year with his shoulder injury “made me a lot stronger to have”.

“I’m keeping the effort I made after the injury,” he said. “I learned to fight and the bad times we had in this part of the championship made me a lot stronger. What I would change are some of the falls we suffered at Le Mans and in Austria, that was the most painful.

“Personally, I would put an 8.5 for the season, we managed to improve the final result, which was the fourth last year. I don’t give myself a 10 because that would have been second place and we didn’t get that. “

Rins rivalry part of Suzuki’s MotoGP success in 2020

I was crowned MotoGP champion last time at the Valencia Grand Prix with one lap to go after crossing the finish line in seventh place.

The world champion has seven podiums during the 2020 season, including his win at the European GP, ​​and has been on the podium alongside Rins four times this year.

Rins himself has achieved four podiums so far, including his GP win at Aragon, in a campaign that was badly affected by a serious shoulder injury in the opening round.

The Spaniard has been with Suzuki since 2017 and helped shape the development of the GSX-RR.

When asked by Motorsport.com last Sunday whether he owes part of his title to his team-mate, Mir replied: “Of course. He’s part of the team. He, Sylvain [Guintoli, test rider], [Andrea] Iannone in his time (2017-2018) he gave good information.

“The first two drivers at Suzuki, Maverick [Vinales] and Alex [Espargaro]. These riders, and of course Suzuki’s work, have made the bike better and better year after year and made all the difference.

“Sure, Alex is the one who stayed with Suzuki longer and gave more information.

“He was always a really good team-mate, on the track he showed a lot of respect for me and Suzuki.

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“And he was always my first rival. Last year, this year I always wanted to stay ahead of him and so did he [wanted to beat me].

“And that is part of the success that has brought Suzuki to the podium in almost every race, because you can see that when your team-mate pushes you are pushing your limits.”

Mir is Suzuki’s first world champion in 20 years and joins the elite roster of Barry Sheen, Marco Lucchinelli, Franco Uncini, Kevin Schwantz and Kenny Roberts Jr. as the only premier class rider to have won the title for the Japanese brand.

With just one lap left in 2020, Rins is in third place in the overall standings and just four points behind second place, which is currently occupied by the Valencia GP winner, Franco Morbidelli.

RNF announces the reshuffle of MotoGP management for 2022

The Sepang Racing Team will withdraw from all three classes of the MotoGP World Championship at the end of the 2021 season and will be renamed RNF Racing.

RNF will continue to operate only in the MotoGP class, with Razali and the current SRT team manager Wilco Zeelenberg at the helm.

A rift is believed to have developed between Stigefelt and Razali in recent weeks, with the RNF’s official team announcement not mentioning Stigefelt last weekend during the Emilia Romagna Grand Prix.

When asked by Motorsport.com over the weekend in Misano what the situation was like at Stigefelt, Razali said, “Well, I mean, in the last three years we’ve been a team of more than 60 people.

“So of course we couldn’t continue with Moto3 and Moto2 with the team changes, so our crew has been reduced to almost half. I think we’re looking at 29 team members for next year.

“First and foremost, Johan’s role was to take care of Moto2 and Moto3, so next year, as I’m only MotoGP, I made the decision that we could deal with me and Wilco.

“Therefore we had mutually agreed with Johan to go in a different direction.”

The alleged rift between the two parties is believed to have an impact on Darryn Binder, who is moving from Moto3 to RNF next year, with the South African closing the deal with Stigefelt.

However, Yamaha and RNF announced last week that Binder will join the team with factory-backed Andrea Dovizioso – with rookie Binder, the younger brother of KTM rider Brad, getting a 2021 spec M1.

Darryn Binder, Andrea Dovizioso, RNF Racing, Razlan Razali, Founder and Team Principal, RNF Racing, Matteo Ballarin, President of the Europe Energy Group

Photo by: RNF Racing

Yamaha also announced a one-year contract with SRT for 2022, with an option to extend it for at least two more years.

Razali says this offer “was not what we expected,” but stated that it was due to trade compliance issues due to the fact that RNF was an entity that was formed only a few weeks ago.

“Given the team’s situation, I had to start a new unit in the UK,” explained Razali.

“And for Yamaha, [with us] As a new company, we had to conform to the Security Trade Group.

“The point is that Yamaha is a big Japanese company.

“Due to the lack of a track record with the new unit, etc., due to all these corporate governance compliance issues, they were only able to give us a one-year contract with an extension for the following years.

“We’ll see by mid-June to see if they’ll confirm they’ll continue with us for the following year, and so on.

“The offer does not meet our expectations, but I respect your decision based on the compliance issues.”

MotoGP, Jack Miller: “Vinales made the difference, but the race will be different.”

His Ducati was the fastest on Saturday at Misano. We’re talking about Jack Miller’s GP20, which was only two thousandths of a second ahead of Pecco Bagnaia’s. Tomorrow at 2 p.m. the Australian will start from fifth on the grid with Rossi on his left.

The Pramac driver was satisfied with that, even if he would rather not break away.

“It wasn’t a bad day, but it wasn’t a great day either,” Jack began. “But I am satisfied with the result, even if we have to improve on Sunday. We have to take a step forward to be more competitive. “

But he is concentrating on qualifying.

“Qualifying wasn’t easy, partly because the wind made things difficult. Unfortunately, I wasn’t that sure about the rear tire initially as I tried to be aggressive in the first sector, but it didn’t make any difference. I managed to be more confident the second time around and to improve. In the end, however, the Yamahas made all the difference, showing that they were unreachable. “

Vinales’ M1 stood in front of everyone.

“Maverick did something special, but I don’t think he can go on like this. It’s true that the M1 are fast, but I don’t think they can make the same difference as they did at Jerez. I’ll try to start well on Sunday and get the pace I need without giving up. I have good pace at the moment, if not great. Tires? I don’t think there is a problem with the choice and also with the wearing this time. I carefully assessed the soft and the hard. Both are good.”

Back to work: The shifting visual of the “modern office” within commercial Licensing

The last year and a half has transformed the way we work. This summer, an Ipsos survey for the World Economic Forum revealed that two-thirds of people globally want to work flexibly when the pandemic is over, with 66% saying that employers should allow more flexible work in the future. Prior to the pandemic, the percentage of those mostly or always working in an office was 53%; by this summer, it had dropped to 39%.

While the future of the workplace remains uncertain, with several high-profile companies delaying their return-to-office plans, it’s clear that the “office” means something different for many of us now than it did before the pandemic. In commercial photography, business-themed content has always been in-demand, but the way we visualize the workplace has shifted dramatically. Below, we’ll look at four different scenarios to consider when planning shoots for your Licensing portfolio.

At-home workspaces

According to a survey of remote workers conducted by Morning Consult and The New York Times, 86% said they were satisfied with working from home. Many also said they’d incorporated “non-work” activities into their workdays; 40% reported taking more walks and breaks or spending more time outdoors or caring for pets, while half said they were spending more time with family or tackling household tasks. Meanwhile, data from Redfin revealed that top priorities among home-buyers include outdoor and home office space.

When planning photoshoots, consider your models’ real-life workspaces, or think of ways to incorporate your own. While office-themed photography might once have felt cold and impersonal, there’s been a push towards more authentic, lived-in spaces. For many, the lines between home lives and work lives have blurred, with parents juggling chores and responsibilities.

As a result, the kitchen table might also serve as a conference room, while the closet might be renovated to become an office (the latter is known as the “cloffice” trend). On Pinterest, terms like “cloffice ideas,” “home library design,” and “bookshelf room divider” all boomed heading into 2021. Look for interiors with personality and character, and think about how your models choose to decorate their indoor and outdoor spaces to foster creativity and productivity. Personal touches like family photos, souvenirs from past travels, plants, or even exercise gear can help tell a larger story of the space.

With “workations” continuing to trend, you could even set up a shoot in a vacation spot, highlighting the emergence of a more nomadic lifestyle. Or show us how workspaces can double as family living spaces by including kids or pets. “Think about our increased focus on values relating to home, slowing down, and balanced living,” the 500px team advises. “How are these integrated in work-from-home life?” Formal office dress codes, for example, might be on the way out, replaced by more relaxed rules that allow for more comfortable clothing. Mix it up, and don’t be afraid to get creative or think outside the box.

Note: When shooting interiors, you need a property release from the owner or tenant to license the photos commercially. Another thing to look out for is artwork or recognizable designs, as these are protected by intellectual property. If you do include these details, get a release from the creator.

Communication through tech

One challenge that can accompany remote work is maintaining a sense of connection and community across a company, and while there’s no substitute for a shared workspace, technology can help bring people together and combat feelings of isolation. Back in December, data from the Pew Research Center revealed that 81% of employed US adults who were working from home most or all of the time, said they used video calling or online conferencing services at least some of the time, with 57% using instant messaging platforms.

Video conferencing is likely here to stay, as more companies adapt to virtual meetings. This summer, a survey from Bloomberg of 45 large companies in the US, Europe, and Asia revealed that 84% plan to spend less on travel post-pandemic. The primary reasons cited for the reductions? The ease of virtual software, cost savings, and lowered carbon emissions.

Photographers can capture this shift by documenting people checking in with each other via video, scheduling meetings and setting notifications, or using various devices, from desktop or laptop computers to headphones, mobile phones and smartwatches. You can also tap into the growing demand for cybersecurity visuals as people adapt to new workplaces. Keep in mind that you do need a model release for everyone in your photos, including those pictured on a Zoom screen.

When photographing tech, beware of intellectual property issues: steer clear of showing logos, apps, or any identifiable brand designs like ports or buttons, as these are trademarked. Instead, focus on the human story and the person using the tech, while incorporating generic props. Similarly, screens can be blurred or whited out to remove protected details.

Daily commutes

Understandably, commuters feel unsure about the safety of public transportation, including crowded buses, trains, or subways, amid the pandemic. In New York, for example, subway ridership has been in flux, but as of September, it sat at around half of what it had been before the pandemic. For those who have returned to public transit, commutes involve hand-sanitizing, mask-wearing, and additional handwashing.

Others have opted for alternative means of transport. In May, research from Kantar revealed that more people are using cars; while there was a 5.6% drop in the percentage of journeys by public transport, journeys by car rose by 3.8%. Of course, cars bring their own problems, like traffic and pollution.

Walking and biking, which rose by 3% during the pandemic, offers a greener option. 2020 saw an increase in biking in major cities like New York, where Citi Bike trips boomed, and Paris, where “corona cycleways” helped people get back to work. As companies continue to make sustainability a priority, this is one way to tap into what consumers value most.

These are all details to consider when visualizing the “return to work” post-pandemic. As the situation remains uncertain, stay apprised of updates as we head into the next few months, and brainstorm ways to incorporate them into your shoots. The most important thing is to show how people can commute safely, as brands will continue to look for advertising visuals that reaffirm their commitment to keeping their employees and customers healthy.

Safety protocols

A survey of US workers conducted by Conference Board, released in September, found that 42% said they were worried about returning to work for fear of contracting Covid or exposing family members. There are several things employees can do to help people feel more comfortable returning to work.

Many offices are implementing safety protocols including distanced desks, mandatory mask-wearing, Covid-19 vaccinations, temperature checks, and weekly testing. Desks have been placed six feet apart. Some are revamping their ventilation systems or instituting rules about air circulation (open windows, air filters, portable air purifiers, and so on). While plastic barriers don’t protect against tiny particles, they have been implemented as sneeze-guards in offices.

Schedules have also changed, with employees spacing out their time spent in the office to minimize contact. This process is also known as “de-densification.” For the foreseeable future, those traditional stock photos of people hanging out in large groups, swapping stories over a shared coffee pot in a crowded lunchroom, are likely to feel out-of-touch. Fist bumps and handshakes are also off the table, but that just means you can think beyond the usual cliches.

Instead, focus on small groups and individuals, and look for those relatable micro-moments that make up daily life in the age of the “new normal,” like hand washing or video chatting; smaller, isolated work stations; boards or other interactive tools that could replace face-to-face meetings. As with any business-themed shoot, remember to include people of genders, abilities, ages, experiences, and more. Modern workplaces are diverse, so make inclusion a priority, championing seniors and women in leadership roles—both in the office and working from home.

Finally, draw inspiration from your own work-life and the experiences of those in your community and industry. “Ask yourself, how have our daily interactions changed?” the 500px team suggests. “How have our morning rituals changed? What do lunch breaks look like? What does laughing with coworkers look like? These are all questions to explore in your commercial shoots.”

Not on 500px yet? Click here to learn about Licensing with 500px.

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Questmas is back and better than ever

12 Days. 12 Quests. 12 Prizes.

Lights, camera, Questmas is back in action. Photographers, are you ready to win some gear from some of the top photography brands out there? Get into the Questmas spirit because we partnered up with some amazing brands to make our 3rd annual Questmas better than ever.

‘Tis the season to get creative and put your skills to the test. From December 1 to 12, you can submit your photos to any of the twelve Questmas challenges (at no cost) for a chance to win a prize that is sure to add value to your photography kit. Whether you shoot wildlife, editorial, product… There’s something for everyone.

Excited? I know we are. Keep reading to check out the twelve themes + the prizes that are up for grabs.

Too excited? Head over to the Questmas headquarters to submit your photo now. 

Our Twelve Questmas Prizes

The Quests and Prize Details

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Prize Details: Studio Console
The Studio Console is optimized for diverse photo editing workflows making you more and more efficient with each adjustment you make. Easily switch between sorting, developing, retouching, blending, and color correcting with built-in navigation buttons. Flexible enough to be adapted for video editing and more for the multi-skilled content creator in you.

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Prize Details: Vanguard VEO 3+ 263CB-160S Carbon Fiber Tripod
The VEO 3+ 263CB-160S Tripod is a premium carbon-fiber all-in-one tripod kit packed with numerous innovative features and useful configurations for photographers, videographers, and streamers who like to pack more than just a camera. Additionally, this model comes with Vanguard’s new VEO BH-160S ball head.

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Prize Details: 1000R RGB Light
The new generation 1000R RGB light uses the latest in flicker-free LED technology for mobile phones and cameras. Ideal for anyone who needs extra light for photos, videos, vlogging, interviews, live streaming, and more!

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Prize Details: Everyday Backpack
The revamped Everyday Backpack is built around access, organization, expansion, and protection. Unique MagLatch hardware provides lightning-fast top access, with dual side access via two weatherproof UltraZips. Inside, 3 configurable FlexFold dividers keep gear organized, protected. There are dedicated sleeves for up to 15” laptop, tablet, or documents, plus a variety of internal slip pockets for small items. 

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Prize Details: GorillaPod Vlogging Kit
A do-everything, go-anywhere kit that’s been expertly crafted for influencers and mobile content creators. That means it’s perfect for YouTubers, Instagrammers, TikTokers, and more! The GorillaPod Mobile Vlogging Kit lets you rig up your phone and give your content impact. 
This epic kit includes three amazing JOBY products: the GorillaPod Mobile Rig, Beamo Mini LED, and Wavo Mobile microphone. Just add your own creative flair! This portable combination stabilizes your phone and adds a powerful light and crisp sound capture to conquer any vlogging project.

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Prize Details: 3 classic filter kits
Fractal Filters are made to enhance your creativity—allowing you to modify or move the filter to supplement the subject you’re shooting exactly as you’d like to. The filters are handheld with an ultra-clean, reflective aluminum handle allowing you to position the filter in front of your lens exactly as you’d like.

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Prize Details: Manfrotto 190 Tripod
Highly portable, the 190XPRO4 has a clever 90° column mechanism, housed in the tripod’s top casting, that can be quickly extended in the vertical or horizontal position. This means you won’t have to disassemble your camera and lose out on shooting time. Compose your photos and videos with more freedom and flexibility and showcase your individual style.

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Prize Details: Fastpack BP 250 AW III + GearUp Creator Box L II
The Fastpack series has been trusted to travel for years. The next-generation, lightweight pack design includes enhanced protection through All Weather AW Cover™ and PU coated fabrics to safeguard against dirt, abrasion, and moisture while the CradleFit™ device compartment defends against impact. Three primary storage zones, waist belt and innovative QuickDoor™ 2-stage access help keep you organized, comfortable and ready for the pace of modern travel.
The GearUp Creator Box is a travel organizer and packing case stores and protects mirrorless cameras, digital devices, cables, accessories & much more!

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Prize Details: Photographer’s Creative Kit
The perfect combination of items for photographers of all genres. The Field Mad Co Bundle consists of a gift card valued at $175, handbooks, indicator stickers, and more!

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Prize Details: Starter Tethering Kit, Tether Block, Smart Shooter 4 Tethering Software
The starter Tethering Kit will help you seamlessly transition into a tethered workflow. While the Tether Block locks your tethered cable into place, keeping your cable or cord plugged in and your camera’s sensitive data port protected from damage. 
To complete your pack, the Smart Shooter 4 is a digital photography work flow application for tethered shooting, remote capture and advanced camera control.

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Prize Details: Domke Everyday Backpack and Black Pro-Mist Filter
The Black Pro-Mist Filter has a unique layering of contrast combined with a gauzy paintlike halation allowing it to reduce highlights and lower contrast, creating a soft quality of light.
The new DOMKE Everyday Backpack is designed to safely carry all your photography geat without slowing you down.

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Prize Details: SD V90 128GB SD Card, and PG08 Dual SD reader
High-performance SD memory card that performs at a sustained read rate. For multimedia artists working a dual-card-slot workflow— RAW + JPG, motion + still, etc.—this card is essential. Reliable and fast.
The ProGrade Digital PG-08 Dual-Slot Reader is the new gold standard for high-speed file transfers, saving you time and energy and letting you get back to doing what you love.

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