Thursday, June 30, 2022

VAULT Creator Highlight with thezoekid1

VAULT is an NFT space created by creators for creators, your go-to place for high-quality, curated, digital art from top creators around the globe. The VAULT highlight series focuses on the creators that are part of our NFT Community.

This week we are excited to introduce you to, thezoekid1 .

Zoe Osborne is a spatial designer from Barbados. She is a graduate of the School of Interior Design in Toronto and creates physical and 3-dimensional spaces. Her work has a focus on Caribbean symbolism and narratives with an exploration in homesickness in the Caribbean Diaspora. Zoe, who uses the artist name Thezoekid1, has showcased digital animations in Barbados, Dubai, Miami, Toronto and NYC for exhibitions curated by different institutions.

Get to Know the Creator and the NFT Space

How did you get your start in interior design and how did you realize it would translate so well in the NFT space?

One of my favorite things to do when visiting a new space was to analyze how the layout, light, and materials influenced my emotions. Interior Design has been a medium where I can explore this further and create spaces where people have positive interactions. When I first created a digital space I saw how I could use technology to push the boundaries of the spaces I created. When people saw the digital spaces I created they encouraged me to create some as NFTs. It was a transition that just kind of made sense because the works I made already existed in the digital realm.

Why did you choose to specialize your work on representing the Caribbean diaspora?

As a Barbadian living in Toronto, I have increasingly felt this desire to reconnect with home and with the memory of home from my childhood. My work comes from this nostalgia and with each piece I create I use it as an opportunity to explore the elements of home that I crave. The context of my work just comes naturally.

Your work focuses heavily on the idea of homesickness but represents it in a positive and beautiful nature. Where do you draw inspiration for this style?

When challenging myself to create my first NFT I closed my eyes and imagined where I wanted to be. Being homesick I tend to have a lot of dreams of home and I wanted my work to reflect this dream state memory. I also looked to surrealism and drew inspiration from René Magritte.

What are you looking for in an NFT platform?

For me, the ideal platform has a homepage that shows a curation of artistic styles and expressions. I tend to use platforms that have intuitive navigation and showcase artwork that represents the community.

The NFT space is all about being unique, how do you leverage your work to stand out?

I focus on creating work based on a story that I wish to tell. I try not to let trends and inspirations dictate my work. By creating work based on feelings and memories I am able to create unique works specific to my life experiences.

You have also worked really hard to create a sense of community with other NFT artists. What tips would you give to others to help them network in this space?

The NFT community is what inspires me to keep pushing. I have met very talented artists and had a lot of positive interactions. I would say to find artists that resonate with you, interact with them and find out about the stories behind their artwork. Genuine connections build genuine community.

Do you think NFTs are the future of digital art and collectibles?

NFTs have changed how artists and collectors view and interact with digital art. It’s hard to say what the future looks like with NFTs because they are tied to unpredictable cryptocurrencies but this approach to the monetization of nonfungible token art is the future.

How do you choose what to mint as an NFT from your portfolio?

I mint work if I think the piece successfully tells a story. I also get inspired by each platform’s focus and I use that to dictate what artwork I mint where.

In your opinion, what makes an NFT valuable?

Similarly to the physical artwork market, I focus on the story behind the NFT. I look at who the artist is and how their story inspires their artwork. I focus on the techniques used in their artworks and if they have been able to use their techniques to express themselves in a unique way.

Are there any exciting projects on the horizon you can share with the community?

I can’t give too many details as yet but I will be working on some projects this year where my work will be available in new digital and physical formats. 

Follow Zoe:
VAULT 
Twitter
Instagram

Check out our previous VAULT creator highlights:
Iryna iSky 
Elnaz
Soto
Julia Wimmerlin
Elena ParaskevaVAULT

Explore NFTs and more on VAULT

The post VAULT Creator Highlight with thezoekid1 appeared first on 500px.

[NDN/ccn/comedia Links]

Why texture is important in your commercial content (part 1)

A few years ago, research by professors at the University of Washington Foster School of Business, Brigham Young University, San Diego State University, and the University of Illinois revealed that advertisements that trigger our sense of touch inspire customers to purchase products more quickly than those focusing primarily on sight or sound.

Markets have long understood the power of touch. More than a decade ago, a different study published in the Journal of Consumer Research revealed that simply touching an object boosts our feelings of ownership over that object—and that people are willing to pay more for most objects they touch when compared to items they can’t touch.

That, the authors of the second study hypothesized, could be why brands like Apple encourage people to touch products in-store before purchasing. In some cases, where physical touch wasn’t possible, the researchers found that merely imagining owning a product could increase what people are willing to pay for it.

Believe it or not, this effect is so powerful that more recent research indicates that it even works in cases of “virtual touch,” with branded Instagram posts generating more engagement when showing a hand making physical contact with a product.

Of course, one simple way to tap into our sense of touch is through the use of texture. While less talked-about than color or shape, texture in photography is a key design element for guiding the eye, creating interest and depth, and eliciting emotions. In photography, texture can be your main subject, or it can be a compositional detail. It can be rough, smooth, soft, chunky, rubbery—you name it—as long as it helps tell the story at the heart of your photo. “Texture helps make the photo more relatable, inviting us to imagine the feeling behind it,” the 500px team tells us.

The potential of texture in photography isn’t limited to abstracts or macro shots, either. In portraits and lifestyle photography, for example, celebrating the real-life textures of hair and skin has proven essential for creating authentic and inclusive images. On Getty Images, searches for acne, vitiligo, and urticaria have all risen year-over-year, in tandem with the body and skin positivity movements.

A few years ago, the model Nia Pettitt starred in an unretouched campaign for Aerie, showing off the beauty of her acne and stretch marks. A year later, the skincare brand Blume featured models with acne, replacing the overly airbrushed and retouched textures of yesteryear with something more authentic.

In fashion, interior, and landscape photography, texture can enhance the message of your photographs. For instance, if you’re trying to capture the “hygge” mood, soft and chunky sweaters and blankets work well, while the smooth and glassy surface of a lake could speak to the serenity of a calm and peaceful morning in nature. Even photographs of everyday objects can be elevated through the use of texture; this picture of a cabbage leaf by Yaroslav Danylchenko, for instance, is among the top sellers in the 500px Collection on Getty Images. The same is true of Rémy Salaün’s abstract of deep blue water and Anton Eine’s photo of used wine corks.

Still life and food photography also offer the potential to celebrate different textures. In 2018, Mintel named “New Sensations” as one of their top food and drink trends, citing research indicating that 81% of consumers in France choose ice creams that have different textures, while 52% of those in China expect indulgent biscuits to have layers of texture—not just flavor. From bubble teas to crunchy cookies, texture plays an important role in our enjoyment of many of today’s trending foods, so tap into that on your next shoot.

You could even tie these shoots in with other trending themes across the worlds of fashion, design, food, and culture. Over on Pinterest, search terms like “satin nighty,” “bubble cake ideas,” and “crystal room” have all risen; meanwhile, searches like “marble candle holders,” “cardigan knitting pattern,” “velvet chokers,” and “moss agate” have trended on Etsy. While marble, velvet, and satin textures can convey a sense of luxury across commercial visuals, knitted textures could evoke a homey, cozy atmosphere.

Of course, brands have used texture in a number of ways throughout the years, from verbal cues—think “the touch, the feel of cotton” or “buttery-soft leggings”—to images. Take, for instance, the fizziness of Bubly sparkling water, or the softness of Charmin toilet paper. Or consider a classic: the 1977 Pillsbury frosting commercial, which claimed the product was “so creamy” it could be spread with a paper-knife. Some have even introduced texture into their packaging designs, tapping further into our senses.

On social media, too, we’ve seen photographers and content creators take advantage of the sensory satisfaction elicited by different textures. In recent years, the #OddlySatisfying trend took over our feeds, with creators sharing everything from “soap-cutting” to paint mixing and cake glazing. In 2017, the obsession with playing with (and making videos of) “slime” skyrocketed, becoming the number one DIY trend on Google—and leading to a glue shortage.

At the time, many claimed that these videos were helpful in calming nerves and reducing stress. Others experimented with materials like kinetic sand or liquid metal. The trend continued with the rise of TikTok, with adults and kids alike tuning in to watch hands kneading slime or someone power washing household surfaces. As of last year, the hashtag #oddlysatisfying had racked up 25.9 billion views on TikTok, while the subreddit r/oddlysatisfying boasted 5.6 million members.

Sabrina Faramarzi, writing for WIRED in 2018, might have hit the nail on the head when she compared the #OddlySatisfying social media movement to a 2011 commercial for Lindt chocolate. Watching the gooey, melting chocolate, she remembers, was even more satisfying than eating it. As she reminded us, this trend represents a concept that advertising professionals understood long before the rest of us caught on.

Stay tuned for Part 2 of this two-part series on texture in commercial photography, catered to the 500px community. Next up, we’ll discuss various ways to capture texture for your Licensing portfolio, through the use of different lenses, lighting angles, and compositional choices.

Not on 500px yet? Click here to learn about Licensing with 500px.

The post Why texture is important in your commercial content (part 1) appeared first on 500px.

[NDN/ccn/comedia Links]

Downbeat Quartararo “I’m getting used to it” – Is…

What a difference twelve months has made for Yamaha in MotoGP…

After three rounds of the 2021 MotoGP World Championship season it had done the triple, once with Maverick Vinales and twice with Fabio Quartararo, who set off on his route towards the 2021 title with success in Qatar and Portimao.

Roll forward to now and Yamaha not only finds itself in trouble as the European leg of the 2022 MotoGP season kicks off, but it could potentially be plunged into full crisis mode depending on the outcome of the next race.

Indeed, alarm bells were already ringing at the Qatar opener as Quartararo labored to a distant ninth place finish around a circuit he was victorious at a year earlier.

Related Articles

A podium in Indonesia steadiest the ship but that was in the wet before an eighth in Argentina and a seventh in COTA reduced Quartararo to bit-part roles clearly not befitting of the effort he is putting in and the skill he evidently has.

The Frenchman has kept his emotions in check thus far, but one could interpret this as a worse indictment towards Yamaha than if he was fuming. Indeed, he isn’t so much frustrated or worried, but more resigned… or put another way, he’s not angry, just disappointed.

“I’ve gotten used to this performance deficit a bit since the first races. In the end you have to fight with what you have,” he said after his Texas race. “I gave everything today. And to be honest, even though it’s a P7, it was my most important seventh place.”

A pivotal Portimao MotoGP race up next

It’s what makes the next round in Portugal so crucial as it will provide a perfect barometer for Yamaha to determine the trajectory of its competitiveness compared with last year’s two MotoGP races held in the Algarve.

In April, Quartararo waltzed to a dominant win by almost five seconds from pole position.

In November, he suffered a rare slip off as he pushed the limit to recover ground from an unusually lackluster qualifying effort that left him seventh on the grid and scrapping against bikes that negated his advantage in the corners by just easing past on the straight.

Fittingly, it was at this round in Portugal where Quartararo – with the 2021 MotoGP title safely in his pocket – felt compelled to speak up and warn Yamaha the M1 risked being left behind by its rivals if the manufacturer didn’t change its philosophy of incremental development updates – aka. It needed to find more power and do so quickly.

Now, in April 2022, Quartararo’s worst fears appear to have been realized with his run to seventh in the USA noted for his dogged determination to make up the time he was haemorrhaging at full throttle.

If Portimao #1 was a clear victory and Portimao #2 was the first flag raised, then what is awaiting Yamaha at Portimao this time?

Why Yamaha should have seen this coming

In some ways, Yamaha perhaps shouldn’t be surprised it is lagging behind its rivals at the moment because its performance has been off for almost a year now.

Of course, Quartararo won the title but as time goes on, the more evident it is that the Frenchman is doing a herculean job dragging top results out of the M1… something his stablemates haven’t been doing for a while now.

Franco Morbidelli’s anonymous form has been one of the more curious tales of the year, the Italian nowhere near the results that took him to the 2020 runners-up spot. He’s endured a difficult road to recovery following knee surgery, but he’s barely challenged the top ten for some time now.

Over at RNF Racing, while it is clear there is less of a collaborative closeness between Razlan Razali’s new team and the factory now, it is still surprising to see a rider of Andrea Dovizioso’s experience and ability languishing at the back of the field.

The rhetoric from the Italian is not promising either, saying he is wearing himself out trying to find an optimum set-up and then slugging it out on the races to make up for the M1’s speed disadvantage.

Concerningly though, Morbidelli and Dovizioso’s results aren’t terribly different to what Yamaha was achieving in 2021 once you took Quartararo out of the mix.

Indeed, while injury woes and a carousel of different riders played their part, Yamaha’s three other bikes achieved just 46 points between them during the second-half of the year (nine races), or around 15 points each. This compares with the 122 points Quartararo achieved on his own.

With this in mind, did Quartararo flatter to deceive so much on the M1 in 2021 that it has lulled Yamaha into complacency for 2022…?

Will Portimao result decide Fabio Quartararo MotoGP future?

It’s no secret Quartararo has been unhappy with Yamaha’s rigid attitude when it comes to developing the M1, though he certainly isn’t the first to feel aggrieved with the likes of Vinales and even Valentino Rossi airing similar concerns..

Of course, it was the 2021 MotoGP World Champion so it certainly knows what it is doing, but Yamaha has been stung harder than expected by nearly every rival taking a step forward in the one area it is lacking.

It puts greater pressure on Quartararo and co. to ensure a lofty starting position, but at a time when FP3 is as important as Q2 now and factors like yellow flags, traffic and tows are throwing in added variables, a lot is being left to chance for the riders to get that seemingly pivotal front row.

Fortunately for Yamaha, Quartararo’s alternative options offer drawbacks too. He’s likely to baulk at an offer from Honda to be Marc Marquez’s team-mate, while there is no room at the inn to join Ducati. Aprilia is unlikely to appeal and it would take a particularly attractive offer from KTM for Quartararo to go there.

As such, Suzuki is emerging as a top tip for him. Like the M1, the Suzuki GSX-RR was developed around the concept of handling over speed, but – unlike Yamaha – the manufacturer has added a healthy dose of the latter to this year’s package. It’s not perfect yet, but it looks like a stronger all-rounder than last year.

Whether Suzuki will be willing to free up some cash reserves to get his signature remains to be seen but if it was ever tempted to do so, now would be the time…

MotoGP Assen: Brad Binder: ‘Hats off to Aleix, somehow he bombed both of us!’ | MotoGP

The South African was lining up his own pass on future KTM team-mate Miller for fourth place, when Espargaro suddenly ‘dive bombed’ them both on the brakes.

“I felt like I did 25 laps of qualifying,” Binder said afterwards. “It was a good race, I was losing a tone of time in some places and making up quite well in others.

“The guys did a great job, the best bike I had all weekend was the one in the race and I thought I had fourth in the bag, but clearly not…”

Binder: ‘As soon as I picked it up, I went straight into Jack’

As Espargaro shot past, Binder was forced to adjust his line, which in turn caused him to tag Miller’s elbow.

Related Articles

“I went to pass Jack, because I saw that he was maybe running into some tire issues or something,” Binder explained. “It looked like he was really struggling on the throttle.

“So I caught up and I just went to pass him, and as soon as I pushed it up the inside, I was about to hit the apex, and I just saw this bike.

“I pulled my leg in and tried to keep as close to him as I could, but obviously as soon as I picked it up, I went straight into Jack. So I was in the middle of a sandwich there. Not one I wanted to be in.”

Related Articles

Ladies and gentlemen, the overtake of the season!

That move from @AleixEspargaro in the last corner is just unreal! #DutchGP pic.twitter.com/Bz3ClyNp8u

— MotoGP (@MotoGP) June 26, 2022

Jack Miller: ‘I wasn’t expecting it, that was my fault’

While Espargaro ourbraked both Binder and Miller, made the apex without issue and snatched fourth, Miller ran wide after the contact from Binder and dropped to sixth, behind the South African.

Miller wasn’t impressed with the contact immediately after the race but took a different view after seeing it from other angles and blamed himself for not covering the line.

“I lost all my speed onto the front straight [when trying to pass Vinales the previous lap] and that put me in range of these other two to attack me on the last lap,” said the factory Ducati rider.

“[I was surprised by] Aleix and Brad, to be honest. I coupled a handlebar to the elbow and didn’t really have anywhere to go.

“I wasn’t expecting it, no. So that was my fault. Like I said, I take full responsibility of that, but it is what it is.

“I’m really happy with the race up until the last lap. I could have done things better, but that’s racing. Hindsight is a wonderful thing.”

Brad Binder: ‘Hats off to the dude!’

Asked by David Emmett of Motomatters.com if Espargaro’s double pass had been clean or desperate, Binder quipped:

“To be honest, buddy, f**king hats off to the dude!

“I was coming in hot, obviously, to try and pass Jack.

“Somehow, he bombed both of us!”

‘My main problem is not related to the bike’ – Franco Morbidelli

The difference in performance of the Yamaha riders in MotoGP is notorious, with Fabio Quartararo being the only one capable of winning and fighting at the front constantly. His factory teammate, Franco Morbidelli, takes time to find the path to success, something he doesn’t attribute to the bike itself and conditions the joint work.

Speaking to the championship’s official website, the #21 explained that the problems don’t come from the YZR-M1, but in its adaptation – or lack thereof – to it: ‘My main problem is not related to the bike itself, it’s not related to a particular problem with the bike. It’s related to the fact that I still haven’t found the right balance and the right connection to the bike. When the knee was good at the beginning of the season I expected to have good results or good performance and that was not the case’.

Morbidelli feels that the Yamaha bike has strengths, which, unlike Fabio Quartararo, he is still unable to take full advantage of: ‘It’s a very smooth bike. It’s certainly not the fastest on the straight, but it has good things and Fabio is very good at exploiting them well. And I, at this moment, don’t’.

With the difference in performance compared to his teammate, the italian admitted that he doesn’t even share his information and explained the reasons: ‘Fabio followed a path that is very useful for him and I wasn’t on that path. It doesn’t work to share my information if he’s found a way to better explore the set, so I don’t want to give any information that’s unclear or that is more related to me not finding the right connection to the bike than the bike itself’.

Jack Miller joins KTM for the 2023 MotoGP season

Miller has been linked to KTM’s factory squad since the French GP, with Alex Rins also confirming discussions with the marque following Suzuki’s shock decision to quit MotoGP at the end of the year.

In recent weeks Miller’s links to KTM have grown stronger, with the marque announcing his signing for 2023 on Thursday morning.

Oliveira confirmed last month that he had been offered a return to the Tech 3 squad for 2023 if he wanted to remain with KTM, as the marque looked to revamp its line-up.

The four-time MotoGP race winner refused this as an option, with Oliveira linked to a move to Ducati with Gresini in 2023.

“Having Jack alongside Brad in our team means we have another strong asset. I know him well, I know how he likes to work and what he can bring to the box,” Francesco Guidotti, KTM team manager, said.

“I believe his character and the way he will ride and push our KTM RC16 will help us a lot at this stage of our project. Like Brad, Jack is a pure racer: he will find the limits and the maximum of any condition and any package and still ‘go for it’ to get the result and that is quite a rare quality. The next two seasons will be exciting.”
“Of course we’ve known Jack since he made a boom with Aki and our Moto3 program and it’s a big pleasure to bring a rider of his capabilities into our MotoGP structure,” Pit Beirer, KTM motorsports director, added.

“He left us with a positive impression, and we’ve stayed in contact. Jack’s approach and attitude to racing are very similar to ours. I am very proud that he comes back Red Bull KTM again and he will be a great addition to our mission.”

Miller had been offered a ride with KTM back in 2019 to replace the outgoing Johann Zarco for 2020, when Miller’s own Ducati future appeared uncertain at Pramac when the Italian manufacturer tried to bring Jorge Lorenzo back.

The three-time MotoGP race winner will partner Brad Binder from 2023, who has a contract in place through to the end of 2024.

KTM is expected to further revise its line-up in 2023, with Pol Espargaro rumored to return to Tech 3 – with which he made his MotoGP debut in 2014 when it fielded Yamahas – as Joan Mir looks set to take his place at Honda.

Last week ahead of the Italian Grand Prix, Yamaha announced it had re-signed Fabio Quartararo to a new two-year deal.

The reigning world champion is the latest high-profile name to secure their 2023 future, following Aprilia’s announcement that it will retain both Aleix Espargaro and Maverick Vinales through to the end of 2024.

Aprilia will join forces with RNF Racing in 2023 to field satellite bikes for the first time, leaving Yamaha with just its factory entry next year.

Read So:

Vinales leads the way in morning warm-up

The Suzuki rider set a best time of 1m47.295s with five minutes to go during the 20-minute session, the third of a succession of quick laps by the 21-year-old Spaniard, who narrowly missed out on a maiden pole in qualifying on Saturday.

That was enough to put Vinales 0.350s clear of previous pacesetter Marc Marquez, but a late effort from Dovizioso allowed the Ducati rider to slot into second between the pair, 0.141s off the pace.

Yamaha teammates Jorge Lorenzo and Valentino Rossi completed the top five, split by 0.056s, although Lorenzo suffered an engine failure approaching Turn 1 with a minute left on the clock.

Andrea Iannone completed the top six, just 0.010s behind Rossi and ahead of Pol Espargaro (Tech 3 Yamaha) and Aleix Espargaro (Suzuki), who suffered a crash at Turn 13 in the closing stages.

But it was Aprilia rider Alvaro Bautista who had the most dramatic off as he had an enormous high-side at Turn 8, destroying his upgraded RS-GP machine.

Warm up times:

MotoGP: Dorna Previews The Dutch Grand Prix At Assen – Roadracing World Magazine

All hail the Cathedral: MotoGP™ arrives in Assen

History meets modernity at a true jewel on the calendar. This is the TT Circuit Assen

Wednesday, 22 June 2022

It’s called the Cathedral for a reason. Only missing in 2020 due to the changes obliged to the calendar, the TT Circuit Assen has otherwise been a mainstay of motorcycle Grand Prix racing since the world’s first motorsport World Championship began in 1949. The venue has gone from a long street circuit to a shorter one but no less incredible track over the seven decades since, creating some of the greatest racing in the world every time we return. In 2022, that time is now!

After deposing the “no Yamaha win since 2009” stat at the Sachsenring, Fabio Quartararo (Monster Energy Yamaha MotoGP™) arrives on the front foot and with his eye on another: no one’s won back to back at Assen since Valentino Rossi did it in 2004 and 2005. Since the Quartararo reigned last year in the Netherlands, it’s within reach… and his form only backs that statement up yet further. Three in a row would be quite a way to head into summer break.

Elsewhere at Yamaha, Darryn Binder (WithU Yamaha RNF MotoGP™) and Andrea Dovizioso will want more, the latter a former podium finisher at Assen and the former looking for a bounce back before summer break. Franco Morbidelli (Monster Energy Yamaha MotoGP™), meanwhile, continues looking for a big step forward, the Italian well outside his already conquered postcode of the podium fight so far in 2022.

At Aprilia, meanwhile, it can raise a smile that one of their worst races of the season so far, all told, is still in fact what the Noale factory would have been aiming for at the start of just last season. “Worst” describing fourth place for Aleix Espargaro (Aprilia Racing) still maintains the number 41 in second overall and was another consistent, big-points finish he’ll be looking to build on again.

On the other side of the garage there’s another two-sided coin for Maverick Viñales from Germany too: he suffered a technical issue and had to retire, but he had to retire after having been pinned to the back of his teammate for some time, looking like a podium charge was on the cards. Will there be one at Assen? It’s those final laps of the race, the ones we didn’t get to see at the Sachsenring, where ‘Top Gun’ often shines, and everything seems to be coming together.

That statement is also true of Johann Zarco (Prima Pramac Racing). The Frenchman is on a steady upward curve of results with the next natural number in the progression being 1 aka the win. As satisfying a stat as that would be, his recent run already stands alone as impressive. Now third overall – and top Ducati in the Championship – can he pull another podium out of the bag?

Jack Miller (Ducati Lenovo Team) did just that in Germany to put some tougher races behind him, and ‘Thriller’ did it despite a Long Lap penalty too. Of all those on the grid, Miller’s memories of Assen are probably the sweetest as he took that incredible win in 2016, so what can he do in 2022? And can Jorge Martin (Prima Racing) find something more? What will Luca Marini (Mooney VR46 Racing Team) and Fabio Di Giannantonio (Gresini Racing MotoGP™) have in the locker after impressive speed in Germany? Can Enea Bastianini (Gresini Racing MotoGP™) bounce back from a stint of going AWOL?

Then, of course, there’s Francesco Bagnaia (Ducati Lenovo Team). From bad luck in Barcelona to a slide out of second at the Sachsenring, it’s been a tougher few weeks for the number 63. Assen hasn’t traditionally been the best for Ducati, but Pecco even has the track as a tattoo, having taken his very first win there in Moto3™ in 2016. He’s also reigned in Moto2™, and knows his way around the Cathedral. The gap to the top is now a big one, but the season is only half way done…

Lurking a single point above both Bagnaia and Miller in the standings, meanwhile, is the truest Sunday rider of late—in the best sense. No matter the grid position, when the lights go out Brad Binder (Red Bull KTM Factory Racing) wrings some magic out of his KTM, and he’s now into the top five overall. It’s never two or three positions either, it’s a charge as far as the charge can possibly go, and it’s paying dividends. Can he and teammate Miguel Oliveira – who is gaining back some solid form too – take that extra step forward at Assen?

Another factory looking for more, in their case a real bounce back, is Suzuki. Joan Mir (Team Suzuki Ecstar) crashed out in Germany after that stunning charge in Barcelona, ​​and the number 36 will be gunning for glory at Assen. Teammate Alex Rins, meanwhile, tried to take part put then hit a serious pain barrier before withdrawing due to his wrist. Can he try again at Assen?

Finally, Honda. The stat sounds a little brutal: no points for the first time since the French GP in 1982. But all told, that happening at the track where the marque won the previous 11 races probably takes the sting out, as is likely also true of the well-stocked trophy cabinet added to in the intervening decades. It’s a tough run, however, with Stefan Bradl the sole finisher for Repsol Honda Team, teammate Pol Espargaro riding through the pain barrier, Alex Marquez (LCR Honda Castrol) suffering a technical issue and Takaaki Nakagami (LCR Honda Idemitsu) sliding out. All four riders have shown much more this season already, so the TT Circuit Assen will certainly bring the factory back into the points as a minimum, and offer some more track time as they fettle the all-new RC213V.

Classic, historic, and nestled in the north of one of northern Europe’s most vibrant countries, there have already been 72 great reasons to visit Assen – or tune in. This weekend provides the 73rd as MotoGP™ returns to the Cathedral, so join us at 14:00 (GMT +2) on Sunday for the final showdown before summer break!

MotoGP™ CHAMPIONSHIP: TOP 5

1 Fabio Quartararo (Monster Energy Yamaha MotoGP™) – Yamaha – 172

2 Aleix Espargaro (Aprilia Racing) – Aprilia – 138

3 Johann Zarco (Prima Pramac Racing) – Ducati – 111

4 Enea Bastianini (Gresini Racing MotoGP™) – Ducati – 100

5 Brad Binder (Red Bull KTM Factory Racing) – KTM – 82

Wednesday, June 29, 2022

Opportunities to score big in MotoGP™ Fantasy at Assen

The World Championship returns to the Cathedral this weekend and it’s not just riders who should be excited

The Motul TT Assen is an event which all of the riders circle on their calendar, and it’s also a big weekend for MotoGP™ Fantasy players as well. Anything can – and usually does – happen at Assen, meaning gamers can score big with some astute picks in their team. With that in mind, let motogp.com set the scene for you after a scintillating German Grand Prix just days ago, then cast an eye to what awaits at the Cathedral.

Who made the Dream Team at the Sachsenring?

Fabio Quartararo (Monster Energy Yamaha MotoGP™) is enjoying red-hot form with last weekend’s German GP marking his second consecutive win and this third consecutive podium. Unsurprisingly, he was also the biggest scorer in MotoGP™ Fantasy, with 41 points in total. In addition to the 25 points which ‘El Diablo’ earned for the win at Sachsenring, he also accrued a tidy haul from qualifying on the front row, gaining an early position, and setting the fastest lap of the race.

Joining Quartararo as a Gold rider in the Dream Team was fellow Frenchman Johann Zarco (Prima Pramac Racing). He qualified third and finished second in Germany, meaning a total of 30 MotoGP™ Fantasy points.

Heading up the Silver Riders was Jack Miller (Ducati Lenovo Team). The ‘Thriller’ lived up to that nickname by riding his way to a podium despite qualifying sixth and having to serve a Long Lap penalty which cost him three positions. Even that was a hair-raising experience given the gravel which had been spilled into the penalty loop, but Miller kept his Desmosedici upright and fought his way back to third position by the checkered flag. If you had him as a Gold Rider, you would have scored 27 MotoGP™ Fantasy points.

The other rider in the Sachsenring Dream Team was the Sunday man, Brad Binder (Red Bull KTM Factory Racing). Unlike Quartararo, Zarco, and Miller, the South African was unable to make it through to Q2, instead earning the majority of his points by charging from 15th on the grid to seventh. Had you selected Binder as one of your Gold riders, you would have collected another 26 MotoGP™ Fantasy points.

Which constructor provided the biggest yield?

Yamaha came out as top constructor in MotoGP™ Fantasy in Germany, but only just. Helping get them over the line was Quartararo’s team-mate at Monster Energy Yamaha MotoGP™, Franco Morbidelli, who rode from 20th on the grid to 13th. That gave the Iwata marque 29 points, helped a point more than Ducati scored in the game.

The key considerations for the Motul TT Assen

The TT Circuit Assen has a habit of turning it on for wild and unpredictable MotoGP™ races, and that means there might be some value plays.

Do you remember the last time MotoGP™ visited Assen?

Relive the action as Fabio Quartararo reigned in the Cathedral of Speed ​​one year ago after a dominant performance

Quartararo also won at the Dutch circuit last year but his price is now 5.2M, making the World Championship leader hard to get hold of without breaking the bank. Looking at the next most recent race winner, Francesco Bagnaia is going for 4.1M, while Aleix Espargaro (Aprilia Racing) is 4M. Even when Espargaro has failed to finish on the podium at the last two rounds, he was fifth and then fourth – and one of those results would have looked a whole lot different if not for that heartbreaking lap count error.

One name that does really stand out as a value pick is Miller. The Australian will only set you back 2.6M yet, if the German GP was any indication, he is clearly much happier with the settings of his Desmosedici after the Catalunya Official Test. Plus, rain is forecast at various times during the weekend, including race day, and it was a weather-affected 2016 Dutch TT when Miller became a MotoGP™ race winner.

The Pramac Ducati riders are also worth a look, with Zarco quietly accumulating solid points in both the riders’ World Championship and for MotoGP™ Fantasy players. He is priced at 3.9M while Martin’s going rate is 2.6M. Fabio Di Giannantonio (Gresini Racing MotoGP™) is hitting some good form yet is cheap at 1.3M, and Maverick Viñales (Aprilia Racing) showed good pace at the Sachsenring before retiring with a technical drama. ‘Top Gun’ is therefore worth a look at 2.7M.

It’s time to make your selections as we get ready for what will surely be another hair-raising weekend at Assen!

VideoPass allows you to watch every single second of every single sector LIVE and On Demand

MotoGP Assen: ‘Ducati is the best thing for me’ – Zarco

06/23/2022 |
|
MotoGP

Picture: GeeBee Images

Third in the MotoGP Championship, with four podiums in 2022, Johann Zarco arrives at Assen as the highest scoring Ducati rider.

The Prima Pramac rider has been quietly going about his business while talking has remained centered on the Lenovo factory pair and which rising star will claim the promotion alongside Pecco Bagnaia for next year.

“I’m pleased with how it’s going for me, this first half because it didn’t start as well as I started the ’21 season – with the two podiums in a row in Qatar last year,” Zarco admitted from Assen. “But trying to get focus, really on each weekend, give maximum energy I can and try to confirm well this Ducati bike. The 2022 bike is sometimes a bit more difficult to fix, so then the races are becoming sometimes a bit more difficult but results were coming on the last races and just for this, I’m really happy.”

While Ducati’s focus has been on Jorge Martin or Enea Bastianini as Jack Miller’s potential replacement, Zarco has been left a little out of the limelight, despite him being 11 points clear of his Gresini rival and 50 ahead of his teammate. His future on Bologna machinery, however, is surely a forgone conclusion.

“We have a pretty good relationship overall because I’m alone to speak straight with them, without any manager,” the Frenchman confirmed.

“They know how I think, they know that the chance to stay with Ducati is the best thing for me to build up my results and go to the victory and having the factory Ducati in Pramac team is already so good for me.

“So yeah, continue with Ducati, this we can say, is not signed but just by talking it’s almost 100% sure. It would be a bad surprise not to have any contract. But then I think they know more or less all the riders they will have in Ducati just they are not 100% sure who to put next to Pecco.

“By joking I was telling to [Paolo] Ciabati and [Gigi] Dall’Igna that if they have hesitation between an Italian or Spanish one they can take right in the middle, the French one!

“They all kind of agree but there are many things to take into consideration and knowing that I’m feeling really good with Pramac and the relationship with [Paolo] Campinoti also, when a satellite team with a factory bike as good result as we are doing, it’s so good for a satellite team. Also they have their own sponsor, that they can have more support from the sponsor from this side because they have a good rider, that sometimes when the good rider is going to the factory team and they have to rebuild something with another one that for this side can be good to stay with Pramac.

“On the other side the prestige of the factory team, if I win races and can be a contender for the title then it will be even better to be in the factory team but you never know.”

“It’s so intense every weekend, the focus is really on performing every day and as well as performing then I can receive some good results. Because I’m feeling so good with the Pramac team, everyone knows that the factory team is one step that is kind of a dream and they know my position so well. So I don’t have any pressure.

“I said beginning of the year, I hope the results will be good enough that we continue together and you’ll take me into consideration and I can say that really they are doing it pretty well. So I have no negative thoughts or feelings with all at Ducati.”

The 31-year-old’s results in recent weeks have been both successful and progressive, with Le Mans heralding the start of a consecutive pattern that saw him gain one position per race, with the next step being victory in Assen if the trend continues this weekend .

“It’s easier to say than do it!” Zarco said. “But why not? Would be so fantastic to follow this logic. I think the tricky weather that we can have during this weekend, for me it can help because just to save some energy, physically and with the rain tires I’m used to, even enjoying more the bike because you need less strength to bring the bike into the corner.

“So for me the tricky conditions can be great, to follow that logic and let’s see. Also will be kind of a strategy if we know it’s raining in FP2 and FP3, push straightaway in FP1 to already qualify for Q2. At the end, the weekend remains the same. Go straight in Q2 to prepare well your qualifying and then be in the first row – because every time you start on first row this gives you a bigger chance to play the podium.

“So really, let’s see how it will be, also with this new fairing on the Ducati on this place where there are the almost chicanes. I think the fairing can help compared to last year and just if we have this better feeling I can be competitive.

“If we have the rain this weekend, it will be quite cold so it’s another story with the tires and the feeling on track,” he said comparing the approaching race with Mandalika, which saw him mount the podium in third. “But we had the biggest rain session in Portugal, I was feeling good and that’s why I like this condition because it’s a way for me to feel well the bike without using the strength of the body and in that way I enjoy almost more.”

MotoGP Results – 2022 MotoGP World Championship round 9

* Rookie

A fast-starting Fabio Quartararo blasted clear for victory at the Catalunya MotoGP, increasing his title lead with a second win of the season.

But a big mistake by local star Aleix Espargaro saw the Aprilia rider lose second place after thinking the race was over one-lap early!

Backing off and waving to the fans into Turn 1 as the last lap began, Espargaro dropped to fifth by the time he realized his huge error.

Related Articles

Espargaro stopped with his head in his hands after finally taking the checked flag and was inconsolable after returning to the pits.

It’s not the first time such a mistake has been made at Barcelona, ​​usually due to a rider watching the timing tower rather than looking at their own pit board.

That incident promoted Jorge Martin, Johann Zarco and Joan Mir to second, third and fourth.

Related Articles

There was early disaster for Mugello winner Francesco Bagnaia, who joined Alex Rins in being taken out at Turn 1 of the race after Takaaki Nakagami lost the front of his LCR Honda under braking.

After sliding down the track, Nakagami’s head hit and then became tangled in Bagnaia’s rear wheel, ripping off his visor and bringing down the Ducati star.

Rins was then side-swiped by the Japanese rider’s bike. It was the second time in a week Rins and Nakagami had tangled.

All were fortunately reported to have escaped serious injury, although Rins appeared to have a sore wrist and Nakagami was sent for medical checks in a local hospital.

Bagnaia briefly rejoined a distant last before retiring for the third time this season.

As he had forecast, warm-up leader Maverick Vinales gambled on the soft rear tire from his eighth place on the grid, with Alex Marquez (starting last after missing qualifying due to a fast practice fall) the only other rider not to choose the medium or hard.

All except the KTM chose the medium front, with the RC16s on the hard.

Home star Espargaro came into the race having topped FP2, FP3, FP4 and Qualifying, before a fall on his way to fourth in warm-up.

Joined on the front row by Ducati’s Bagnaia and world champion Quartararo, Espargaro came under attack from Quartararo into turn one at the start of the race, while Bagnaia was eliminated just behind them.

The Yamaha rider immediately set a high pace, while Espargaro lost another position to Jorge Martin.

Quartararo had pulled 3.4s clear by the time Espargaro retook second place from Martin, with 15 laps to go.

Tire consumption was expected to be a major issue but Quartararo showed no signs of weakness, eventually increasing his lead to over 5-seconds while Espargaro had his hands full trying to keep Martin and Pramac Ducati team-mate Zarco at bay.

Martin, who will undergo hand surgery after this race, repassed Espargaro with nine laps to go and the trio remained locked together, Espargaro making yet another pass on Martin with 4 laps to go and looked to have second place in the bag…

Joan Mir salvaged fourth from 17th on the grid to mark Suzuki’s first race finish since the post-Jerez announcement that the factory will quit MotoGP at the end of this season.

Luca Marini was sixth for VR46 Ducati, with Vinales seventh on the soft rear, ahead of KTM team-mates Brad Binder and Miguel Oliveira.

Alex Marquez produced an excellent ride from last to tenth, while rookies Remy Gardner, Darryn Binder and Raul Fernandez all scored points – Fernandez for the first time in the premier class.

Already reeling from Bagnaia’s DNF, worse was to follow for Ducati when Marco Bezzecchi, triple 2022 winner Enea Bastianini (seventh place) and then Gresini team-mate Fabio di Giannantonio all crashed out before the midway stage.

Stefan Bradl and Andrea Dovizioso also joined the DNF list.

Marc Marquez was absent after electing to undergo a fourth operation on his right arm. The recovering eight-time world champion is being replaced by HRC test rider Stefan Bradl.

An official post-race test will be held at the Barcelona circuit on Monday. Jorge Martin will miss the test and undergo surgery to treat nerve problems in his right hand.

Gender identity in commercial Licensing

According to research from the Pew Research Center, more than a third of Gen Zers personally know someone who uses gender-neutral pronouns, and 59% say that online profiles and forms should include options beyond the binary “man” and “woman.” Half say that society is not accepting enough of people who don’t identify as either a man or a woman.

Meanwhile, CEOs and presidential candidates alike have started listing their gender pronouns in emails and social media bios, and more inclusive gender questions have been added to the General Social Survey (GSS). United Airlines now offers non-binary gender booking options.

Of course, this push for inclusion and equality across the gender spectrum has influenced the world of advertising. Last year, for instance, harmful gender stereotypes were banned in ads in the UK, following research suggesting that these messages could restrict opportunities for children, young people, and adults and ultimately play a part in unequal gender outcomes.

As part of their #Unstereotype initiative, the multinational company Unilever committed to eliminating gender stereotypes in their advertising, and brands ranging from Google and Twitter to AT&T and Microsoft joined the Unstereotype Alliance as part of the cause.

Across the board, more brands are finding ways to be representative of their customers, including those within the LGBTQI+ community. Sephora’s ‘Identify as We’ campaign celebrated the transgender and non-binary community, while a Gillette commercial highlighted a father teaching his transgender son how to shave. Coca-Cola used gender-neutral pronouns in a Super Bowl commercial, and Starbucks released an award-winning commercial featuring the journey of a young transgender man named James.

The movement towards gender inclusivity has also revolutionized commercial photography, and last year, Karen Biilmann, the Art Director & Creative Research Lead at 500px, explored the growing demand for non-binary gender representation in creative Licensing.

As revealed in a recent study from Google, people are more likely to consider or purchase products after seeing an ad that they think is diverse or inclusive, based on several factors, including gender identity*; in fact, 64% of customers took some sort of action after seeing an ad they felt was diverse and inclusive. The study also found that authenticity was key; customers want to see real people and relatable stories—and brands are taking note.

Read on for our top tips for creating authentic, gender-inclusive images for your Licensing portfolio—whether you’re working with someone who identifies as male, female, non-binary, gender fluid, two-spirited, or anywhere else on the gender spectrum.

Defy stereotypes

In 2015, realizing the problematic implications of separating children’s products by gender, Target famously eliminated “boys” and “girls” signs from their toy and bedding departments. More stores ultimately followed suit, inspired in part by the efforts of campaigns like Let Toys Be Toys in the UK, which combats gender stereotyping in books and toys for kids.

As brands wise up to the importance of accurately representing their customers and their interests, they’re stepping away from tired ideas and embracing gender-neutral messaging. These steps can mean changing up their signage, or it could mean steering clear of photographs that portray people in a reductive, stereotypical light.

Here’s just one example of how stereotypes can influence the commercial field—and how they can be challenged. A search for beauty photos on almost any major image platform will bring up mostly photos of cis-gender women, but in fact, skincare and cosmetic brands are making an effort to keep gender out of the equation by switching to gender-neutral products and unisex packaging.

In real life, people of all genders use skincare and cosmetics, and that should be reflected in advertising too. Of course, the same goes for all kinds of commercial photos, from business and fashion to family and lifestyle.

“Think about capturing diverse ways in which gender can be expressed, such as clothing, grooming, or color,” the 500px Content Team advises. “While traditionally within photos of children, the color blue is often associated with boys and pink with girls, using what would be considered gender-neutral colors can be a simple way of challenging biases.”

Do the research

A few years ago, a study from Wunderman Thompson Intelligence revealed that the majority of customers (71%) are open to seeing advertisements that feature transgender people, as they simply reflect the reality of our society. But most said they rarely (35%) or never (42%) see transgender people in ads, and the average American still has some misperceptions about what it means to be transgender.

Ads have a significant role in influencing how people think about gender identity, and there aren’t nearly enough authentic representations of trans and non-binary people out there, so it’s important to get it right. Keep in mind that the media, at times, has historically misrepresented marginalized gender identities, so it’s worth consulting a local advocacy group and perusing GLAAD’s resources for Media Professionals to learn how to be an ally for the community and portray people accurately in your images.

Keyword correctly

Speaking of GLAAD, be sure to check out their glossary of terms while keywording and titling your photos. If you aren’t sure, you should always check your model release to ascertain a person’s preferred gender pronoun and terms to avoid misgendering and misrepresenting someone in your photos.

“Non-binary, gender fluid, trans, and androgynous are just some gender identities someone can have,” the 500px Content Team tells us. These are all keywords you might use, but make sure they are accurate to the person in the photo.

As part of Project #ShowUs, a groundbreaking collection of images by women and non-binary individuals, Getty Images took a novel approach to keywording and metadata; instead of applying general terms, they asked every individual to write their own search descriptions and keywords. You can always take a similarly collaborative approach to any photoshoot, regardless of the person’s gender identity.

Of course, avoid using problematic terms like “sex change,” “pre-operative,” or “post-operative,” as they inaccurately imply that someone needs to have surgery to transition. In your image titles, remember that “transgender” is an adjective; someone can be “a transgender person,” but not “a transgender.”

Highlight real-life moments

For too long, commercial photos centering around topics related to gender identity have been one-dimensional. For instance, it’s often easier to find photos of flags and marches than it is to find images of real people in their everyday lives.

Gender representation means going beyond the surface and giving voice to the communities themselves; brands want pictures of trans and non-binary people at home with their families or at work on a project. They want photos of people of all genders playing with their kids and reaching their goals.

More than a third of Gen Zers in the US strongly agree that gender does not define a person as much as it used to, so look for ways to capture every facet of a person’s identity, no matter their gender. Highlight relatable micro-moments featuring people who happen to be trans or non-binary; celebrate their passions and interests, and invite them to share some of their ideas for a photoshoot. The goal is to portray everyone honestly and reflect their truth in your photos.

Celebrate individuality

“Always try to consider how the images within your photo are possibly reinforcing or challenging gender stereotypes,” the Content Team advises. Most Millennials believe that gender is a spectrum and that some people fall outside conventional categories, so there’s no one-size-fits-all solution to portraying gender.

Approach everyone individually, and communicate with them throughout the shoot. Maybe they can bring in their favorite selfies and weigh-in on styling and grooming choices; ask them to share some of their favorite outfits and some moodboards for inspiration. You can always invite your models and collaborators to send you reference photos they love to get an idea of how they’d like to be portrayed, outside of restrictive gender stereotypes.

Get conceptual

We’ve discussed keywording already, but we’ve only covered literal phrases relating to gender identity. The truth is that buyers could just as easily search for phrases that align more with ideas and emotions surrounding inclusivity and representation. The Content Team suggests, “Consider conceptual keywords or descriptions that connect to the greater struggle—terms like acceptance, living your truth, strength, and identity.”

Exploring gender identity in commercial photography is more than a trend; it’s a movement that underscores the importance of representing people with dignity and integrity. The media influences almost every facet of our society; ads have the power to either reinforce harmful and exclusionary stereotypes or encourage acceptance and understanding. More and more, brands and marketers around the world are choosing to do the latter.

*The Trevor Project defines ‘gender identity’ as “our internal, personal sense of what our gender is.” Every one of us has a gender identity.

Not on 500px yet? Click here to learn about Licensing with 500px.

The post Gender identity in commercial Licensing appeared first on 500px.

[NDN/ccn/comedia Links]

The 500px team shares insight on creating sellable content

In 2017, a survey from Splashlight revealed that 47% of US online consumers rank high-quality product images as the most influential factor in considering a purchase. In 2019, research from Buffer found that 35.8% of marketers surveyed named images/video as the most important aspect when creating and publishing content. And in 2021, 52% of marketers surveyed by Venngage said visual content was “very important” to their strategy.

The last five years alone have brought with them a dramatic shift in the way we interact with brands online, but images have remained some of the most significant assets in an advertiser’s toolkit. For today’s companies, cultivating and curating the right aesthetic can be fundamental to establishing brand awareness, communicating the right message, and remaining top-of-mind among buyers.

“A brand’s digital presence is a key factor in its success,” Rhiannon Marquez, the Marketing Coordinator at 500px, tells us. “Many of us search for services online, shop online, and engage with social media daily. We learn about brands via the internet, allowing both small and large brands to reach new audiences like never before. A good image intrigues people and drives clicks, bringing your target customer to your page. That is the most important step.”

We asked the team at 500px to tell us about visual communication, marketing in the digital age, and what makes a commercial photo resonate with today’s buyers. Follow these tips to boost the marketability of your Licensing portfolio.

Tip #1: Keep it clean

“I love high-resolution images with intentional empty space and smooth lighting across a clean background,” Jill Li, the Brand Designer at 500px, tells us. Designers tend to look for images with plenty of copy space where they can add their own messaging, so consider your background, and keep it clear of any distracting elements.

As Rhiannon reminds us, minimalistic photography tends to do well in Licensing because it gives the eye room to breathe, breaking through the clutter of today’s advertising landscape. This photograph by Valeria Aksakova, for instance, is among the most popular in the 500px Collection on Getty Images, using clean lines and negative space to catch our attention. For these kinds of minimalism-inspired shoots, a colored seamless background goes a long way.

Tip #2: Play with light and color

Whether you’re using color effect gels or experimenting with Pantone’s color of the year, eye-catching color and lighting can result in images that jump off the screen. “A matter of milliseconds is all you have to grab your viewer’s attention in our image-saturated world,” Rhiannon says. “Therefore, top commercial images will often have a good amount of contrast so that the contents within the frame ‘pop.’”

David J Fulde, for instance, is known for his cinematic lighting; in this portrait, one of the most popular in the 500px Collection on Getty Images, he used a complementary color palette of blues and oranges.

Tip #3: Track the trends…

Incorporating trending topics is a great way to make your portfolio feel more timely, whether you’re tapping into the “cottagecore” aesthetic or capturing everyday life in the age of social media. If you can anticipate cultural moments before they happen, even better. Helena Lopes, for example, was able to capture the “new normal” amid the pandemic by photographing a grocery shopper wearing a mask and social distancing. Her photo remains among the most popular in the 500px Collection on Getty Images.

Tip #4: … and make them your own

Feel free to take these trends and put your own creative stamp on them. “It’s good to stay up-to-date, but ultimately, trends are generated by artists and won’t always be a perfect fit for most companies’ branding,” Jane says. “Trends also change rapidly, and one style can be drastically different from the previous trend. Where Contributors can benefit most is by integrating elements of existing trends to create new and original work. I generally find uplifting, authentic, and arty images work well with a wide range of branding assets.”

Tip #5: Have a clear concept

“Images with the potential to connect to universal themes tend to do well,” the 500px team explains. Going into a shoot, have a clear understanding of the idea driving the session, whether it’s a lifestyle shoot illustrating sustainability at home or a still life session celebrating the colors and flavors of summertime.

Draw up a shot list, and pull some images to create a mood board. The theme of your shoot will often drive your creative choices, from color and lighting to prop and wardrobe selection, so be clear about the story you want to tell. “Creative and original images that find a new way to illustrate a familiar concept or theme are always popular,” the 500px team tells us.

Tip #6: Make it universal

Photographs that feel ambiguous—such as pictures of a tiny person in a vast landscape or a still life with an anonymous hand entering the frame—allow us to “place ourselves in the scene.” The 500px team explains, “When shooting a nature photo with a human figure, for instance, consider having them turn away from the lens to create that universal appeal.”

If you browse the all-time most popular photos from the 500px collection on Getty Images, you’ll notice this motif time and again, from Shutter Chemistry’s picture of a figure in red against an Icelandic waterfall to Sandi Bertoncelj’s shot of a biker navigating the nature trails of Slovenia.

In conclusion

“Overall, images with visual interest, originality, and creativity are intriguing and work well in advertising,” the team at 500px adds. “Communication is also key in the sense that the image effectively conveys its intended meaning and emotion. Finally, the basics of photography all play a role and can be used to create stand-out images, so pay attention to details like lighting, resolution, and color.”

One last tip? Do some research, and follow commercial photographers you admire from the 500px community. See what topics they’re tapping into, and then consider how you can put your own twist on them. Or follow your favorite brands on social media, and take note of the styling they feature across their branded photography.

Not on 500px yet? Click here to learn about Licensing with 500px.

The post The 500px team shares insight on creating sellable content appeared first on 500px.

[NDN/ccn/comedia Links]